Tonight was my first night working on "Regard", and I am starting with the background. Surprisingly, I am finding that settling into the motions of the blurry-tree-background is quite natural, even though it's been months and months (maybe a year even...) since I last worked on this part of the background on "Focus". I'm using the same colors as I did in "Focus" as well, hoping to have the pieces turn out as a nice matching pair. I can already tell that it won't be a problem at all. There are quite a few differences between this picture and "Focus", but I am looking forward to the new challenges. I know it's not much to look at right now, but here are the initial stages:
This image shows... well... nothing really! You can see the frisket which I've applied to the section of the picture that has the snow, rocks, and cougar. This is due to the error of NOT doing this for "Focus" - resulting in the area being smudged quite excessively, which made it next to impossible to create white snow. This time I'm prepared, and using my air-brushing frisket I think I managed to cover everything important. When I'm done the background this plastic will peel off and let me work on nice clean paper.
I've zoomed in for the in-progress photos, as I figured it was pointless to view it as a tiny little inch on your screen. This is the top left corner of the image, above the ridge of snow and rocks. This stage is first layers of color, pre-burnishing.
This is one tiny section completed! Burnished and detailed, although the detail part of it is somewhat lacking, seeing as it's a blurry background. I'll post more soon, I assure you. I'd like to work on this piece almost exclusively for as long as I can.
This image shows... well... nothing really! You can see the frisket which I've applied to the section of the picture that has the snow, rocks, and cougar. This is due to the error of NOT doing this for "Focus" - resulting in the area being smudged quite excessively, which made it next to impossible to create white snow. This time I'm prepared, and using my air-brushing frisket I think I managed to cover everything important. When I'm done the background this plastic will peel off and let me work on nice clean paper.
I've zoomed in for the in-progress photos, as I figured it was pointless to view it as a tiny little inch on your screen. This is the top left corner of the image, above the ridge of snow and rocks. This stage is first layers of color, pre-burnishing.
This is one tiny section completed! Burnished and detailed, although the detail part of it is somewhat lacking, seeing as it's a blurry background. I'll post more soon, I assure you. I'd like to work on this piece almost exclusively for as long as I can.







This is the start, and already it's noticeable how crisp and detailed the foreground is compared to the background.
This step shows some of the first layer work, before burnishing.
This image and the following one are completed sections of the face, in the order I worked on them.
I think the detailed stripes and skin look a little out of place without the rest of the image, but I really think it's starting to come together.
The photo above shows the picture with only black so far, in rough strokes for the first layer.
Added to the black above is some color, which will get burnished by the grey in the next stages.
This and all the following images show the burnishing of the background. This involves using a grey pencil (in this case french and warm grey both in 20%) and pushing incredibly hard onto the paper, working in tiny circular motions to blend the previous layers of color together. As necessary I add some more dark or light into the burnishing as I go.

And now on to the best part - the detailed foreground!






